How are you guys using it in the studio now?

There's an app called TweakyBeat that we like quite a bit. It's a very simple monophonic synthesizer that's used in a step-sequencer-like way. Each time a next step is triggered, the waveform stops and the next sound starts. We had a friend clone that in Max/MSP, so we have a standalone version. I think the Moog filters are quite cool, but you have to change between pages. If you use it live, at least for me, it's not useful. If I play live, I can't really look so closely at my iPhone and do the right move. I have to be able to be more rough.I record them, I sample them, I pull them apart into little bits and then something totally different comes out. And then after, the band argues, and then they split up. No band I recorded exists anymore. [Laughs] I did record Stereolab a long time ago. I did the Fall two, three, four years ago. That's why I have all these compressors and outboards. It doesn't make sense anymore because bands usually don't have the money, and our studio was frequented too much [by] our own work.Silk road tours I had a 24-channel Studer mk3 that was really nice. I listened to recordings I did with this machine and was quite happy. No.You'd hate the road if you decide to drive, but the destination is totally worth Xinjiang Intencive tour. Again, read about this place before you go, and make sure you have your camera with you. I had the chance to watch over the shoulder of certain producers and engineers. And the funny thing is, the most respected of my engineers were totally pragmatic. They said, "No, no. Listen to the room, take the mic which is available, put it on the spots and record it.china tour packages" And I realized producing is not about doing everything right in terms of using the right tool—the tool which is created for a certain thing. It's more about choosing the right sounds. The relation between the sounds you choose is more important than the way you record the sounds. I feel like we are closer to what is going on around us musically than ever before in our history. We don't feel so alien anymore.Chefs Kitchen Knives Sometimes I hear a track from some young producer and I think this kind of could be from us. You can feel instability in the arrangement and a certain harmonic preference, and then how a beat can become a melody. These hierarchies between musical elements seem to have broken up, and that's what we always liked and always kind of stood for. In a certain way we have arrived in our time. But there is also a little thing where I still feel we are not completely compatible with what is around us,The stuff is going to be crushed within this process.The items for example Cone crusher after crushing is going to be released in the outlet. because we still feel our music is a language or a metaphor for a way of thinking. We use certain contemporary club-oriented ideas, maybe, but the way we think about it is much more sculptural. It's much more about the material of sound.